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Wednesday, May 02, 2018

zombies: capitalism without the capital


once upon a time it was suggested to me by one of my favourite professors that i turn my theory of zombies into a thesis, or a book. as it's looking less and less likely that that's going to happen, i've decided to scribble it down here in the hopes that somebody reads it and cares. there is an ulterior motive for the timing of this post.

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it is well-documented that monsters have traditionally served us as metaphors for societal fears. famous examples are of vampires (sexual repression), frankenstein's monster (science and technology), kaiju, such as godzilla (the dangers of nuclear technology), and that's not even getting started on the ancient monsters (from greek mythology and beowulf, for example, those must be interesting to examine).

one monster, the zombie, has undergone much transformation over the course of the last century. the most radical change was ushered in by george romero in night of the living dead, and occurred significantly at the dawn of the postmodern era. some have claimed that the postmodern zombie represents capitalist consumerism, but i find that a bit of a stretch even though it certainly fits what i would consider to be a potential category of zombieism*. but first, let's try to clarify what postmodernism is.

postmodernism, as i would summarize it, is defined by the awareness of the meta-narrative or ideology as the "operating system" of the individual which forms the basis of the subjective interpretation of reality and directs rationale and logic. postmodernism emerged from the glaring failures of modernism's "isms", the utopian narratives that resulted in such tragic movements as nazism, communism, futurism and the relegation of metered, rhyming poetry to the naughty corner. the wikipedia summary is neat as always:
While encompassing a disparate variety of approaches, postmodernism is typically defined by an attitude of skepticism, irony, or rejection toward the meta-narratives and ideologies of modernism, and often calls into question various assumptions of Enlightenment rationality. Common targets of postmodern critique include universalist notions of objective reality, morality, truth, human nature, reason, language, and social progress. Postmodern thinkers frequently call attention to the contingent or socially-conditioned nature of knowledge claims and value systems, situating them as products of particular political, historical, or cultural discourses and hierarchies. Accordingly, postmodern thought is broadly characterized by tendencies to self-referentiality, epistemological and moral relativism, pluralism, subjectivism, and irreverence

my thesis in a single sentence: i have come to believe that zombies represent the newfound fear of dominating ideologies.

1. zombies hunger for brains and infect healthy humans with viral ideas that nobody is safe from.
in their book in praise of doubt, berger and zijderveld explore fundamentalism and conclude that it is a reaction to postmodernism's potential for nihilism and the anxiety caused by an unstable sense of reality. one of the aspects discussed is that once someone has chosen to revert to the comfort and safety of religion, they must avoid all conflicting information and reduce their encounters with non-believers to a minimum in order to maintain their chosen belief. this behaviour is not only evident in religious communities - in particular, fundamentalist communities - but in other ideologies, from atheism and scientism to sexual identity groups to sports fanatics to pretty much anything that can provide a sense of belonging and purpose. our gods and our lifestyle choices and our hobbies are now ways in which we build our identity to the exclusion of almost everything else, and we circulate in our insulated groups while recruiting as many members as we can.

2. they are othered in a terrifying way while remaining so recognizably human that people cannot help but engage with them.
as our differences become more visible in our hyper-individualized western societies, whether in hair and clothing style, body art and modifications, mannerisms, or even social media profile keywords (eg political ideology), we sensationalize and stereotype more and more until the other has become utterly alien and monsterous. we cannot avoid engaging with those others who are close to us, such as our friends and family members, and when those close to us begin to adopt a new ideology they immediately pose a threat to our own existing ideologies.

3. they can only be stopped by attacking the brain.
you cannot win an ideological war with physical attacks, if anything you will only make the enemy more determined. historically, the only two ways to win an ideological war are genocide, an option i hope will remain off the table, and "winning hearts and minds". the latter is far more difficult in today's context, sadly, as it requires intelligent, well-educated warriors and we're living in an age of vast knowledge and very little wisdom.

that, in short and informal, is my theory of zombies.

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* i feel compelled to point out that here (and in most conversations on the topic) the idea of capitalism needs to be separated into two distinct components: capitalism the economic system and capitalism the ideology. the latter is relevant to the topic of zombieism, the former is not. perhaps that's a subject in need of its own post.

1 comment:

  1. Totally agree. There have been many other theories of zombies (in fact, I am reading/reviewing a book called “Zombie Theory”, so zombie studies are now a respectable academic field). People pointed out that zombies represent our fear of mortality or of the body. I wrote about zombies as a metaphor for the loss of meaning in language. But that’s what a good monster does: brings together many different fears and blends them together into a walking, biting, relentless metaphor that can never be put to rest. And with the resurgence of religious fundamentalism and other extreme ideologies, I’d say that the fear of zombies is quite justified.

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